after featuring on the work of the cream of dancefloor jazz, broken beats and house music for 4 years or more, lyricl has two singles out, two lyricl singles. well it was about time. he wants to know is a mid tempo broken jazz produced by rms. it whacks the floor with sub bass and jacking brokenbeats, and ls rhymes are as tight as she sits on the riddim nice. a chorus reminiscent of a bb boogie ting completes a hard hitting heavyweight of a tune. knowing lyric ls straight up house music prowess (a la doot dude) phil asher turns in a restless soul mix that transforms ooh u & i into a tough but classy beat & bass driven jackin house workout. a dub completes a top package, a package which shows that loose lips are just one of lyricls many assets

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

huge noisy & bleeping techno album, reminiscent to pan sonic or sähkö - tip!!!

repress !! the man behind the fantastic, collectible mojuba imprint and producer of some in-demand releases on styrax don williams is behind another high-class project: on the a.r.t less imprint he showcases more his detroit side and gets right down to business with a fantastic one-sider that holds a cracking peak-time cut reminiscent of maurizio s legendary >domina< track, a beautiful melodious ambient cut ( pressed inside out! ) and plus a locked-groove.

up and coming breakbeat heroes magnet men provide a killer double a for the next vinyl touch single.both tracks are reminiscent of the oldschool, hardcore breaks scene, whilst at the same time, modern production techniques twist it up into a slice of futuristic breakbeat

dj support : dan curtin, daniel stefanik, dominik eulberg, jambi, james flavour, anja schneider... gummihz s 2nd release of mobilee comes straight from the bottom of his heart. the concept of >modern dynamic< is based on developing grooves by manipulating the dynamics of a sound, rather than composing melodies. a side consists of a steady groove with a few surprises taking place in the sonic spectrum and a dominating fm tone evolving throughout the arrangement. it is the kind of tune that delivers pure freakness on the dance floor. flipside is set in a deeper atmosphere with a sweet electric piano groove appearing in the end, reminiscent of the starting time of deep house. agony develops during the first minutes of the track, leading to a relaxed groove in theme with the sweet summer breeze

sleepy hollow was obviously inspired by the movie of the same name. it is one of my favourite pictures by tim burton and i really like the dark, creepy atmosphere of it. the bass-line recreates this mood to an extent that it scares me, makes me shiver. i mean, really! regenerate has such a strong techhouse vibe to it, again reminiscent of the early 90s and a very strong groove. excellent percussion programming and modulation by stephan. this one builds and builds until it completely gets you. personally i think all due respect is the most laidback, reduced track on the album. we came up with this distinctive, monotone melody/bass and i loved the feeling right away. definetely the kind of music that i like to play on a sunday after hour session

ew kanada presents its premier release from toronto s adam marshall. hot on the heels of his remote culture ep on mike shannon s cynosure imprint, adam continues to push the boundaries between soulful techno and minimal house. dark, heavy bass lines reminiscent of the early get physical sound combine with berlin-style chord stabs and baby ford-esque funk to create a strong ep of advanced dance floor style

techno for whirrled peas, simple and serious message, is in perfect harmony with the solemn butane s music but also with the records artwork, the wheel on the a side is a symbol of peace. this new record is simply >bewitching<, it should rock the crowd with his exhilarating rhythms, hypnotic basslines and disturbing atmospheres, sometimes reminiscent of minus. the a side >world peace< is an overpowering dancefloor anthem, while on the b side >black rob s acid< and >working title< add a deeper vibe to make this a more than solid 12inch. butane therefore enriches the roman,photo family with his emotional techno… already support from luciano (cadenza), troy pierce (minus rec)...

the new tombone brings you two fierce detroitish electro banger by michael ford.reminiscent of a dark futuristic soundtrack, in >gallowgate< gnarly and sizzling cascades of synth chase each other over a choppy, skanking break-beat stewing up a more and more pressure before bursting into a full frenzy with a punchy 4/4 beat. >bellgroove< on the flip keeps it nasty with its anarchistic bombardment of dirty, raw synth noises over a hard-hitting electro groove

italian producer and dj fabio bacchini presents a hot ep featuring two delicious club grooves nowadays is a chunky house groover driven by a catchy piano line that has a funky edge to it while just a groove features female vocals over an old school groove coming complete with orchestral keys and percussion reminiscent of philly disco

second in the series of limited disco re edits from a certain mellow house producer you cant go wrong with the originals of either of these tracks especially with the cowbell prodded synth riff of the classic dyson track originally from 1982 on the flip the rare disco congo from a 1977 westbound lp with a memorable bassline reminiscent of the o jays for the love of money before the track heads off to trinidad for a steel band breakdown

>whats wrong with me?< is the banger of the record: straight up madness for those not faint of heart or head. thick beats, nutty syncopations and a serious bassline all come together for that perfect 3 am mind bender. we suggest upon listening to this song that you remove any children that may be in the room as it may give them nightmares. >chitowner< is reminiscent of old prescription records. combining classic keys, horns, chunky beats and acid line, its sure to be a favorite of any deep house head who likes theirs with a bit soul. >i dont know< is just in time for the sound that owns the world at the moment . john and slater have fused funk with a classsic electro feel to make a song that is equal parts bump and edge. add a sample saying >brothers and sisters, i dont know what this world is coming to< and youve got pure dirty magic!

already played by karotte, an exciting 3-track ep. the a-side >cinematique< starts with a dark bass and a special rave-line, which leads you through the whole track. banging claps and sharp hihats makes this track a good choice for ecstatic moments on the dancefloor. the b-side boasts >praymantis<, a track reminiscent of old 808 state tracks, but stripped down to modern and soulful acid house. the second track on the b-sdie is >domina< which rounds up this versatile ep and has this special oldschool house feeling of releases on hibias or from don carlos from the beginning of the 90s. a smart and relaxed journey from clubs peak time to smart afterhour sessions

autosug is probably one of their best tracks ever and this deserved a special remix treatment... the original version comes with a club version plus two great remixes by heinrich mueller (dopplereffekt) and techno veteran anthony shake shakir. heinrich mueller went deeper into the machines and came up with a hi-tech electro piece which blows our minds! shake came up with a great classic remix reminiscent to his works on frictional records. future classic

disruptor heads into 06 with >words are bulletsa<: a dark, funky and not so typical acid house creeper reminiscent of bryan s earlier works as barada (definitive/plus8) circa 94. thumping 303 starts things off soon joined by frantic percussion. a staccato synth line creeps in before all hell breaks loose in frenzy with our friend the mini moog taking the lead.

the first subrelease on mo s ferry beautifully sounding and exceptionally nice packlage sublet fenou. the first 10inch starts with dapayk & midnight emergencyone of the most blissful tracks we ve heard in a while. organic and clicking with beautiful vox reminiscent to a man called adams best moments or even the a real underground mix that ebtg would have propably liked to make. uberrocking! flip right over to so inagawa & sakurai , new artists on the block with some excellent sensitive minimal electro frickling that makes this package round and a pure collectores gem

starting out with a deep melodic techno track reminiscent of the early nineties making a quick stop in minimal land this 12inch moves on with just straight up weirdness following up with two electro stompers it finishes with our answer to electro clash .... if u cant find something u like on this record u dont listen to electronic music period. multi artists from detroit

new opus by i:cube featuring three sharp and compelling tracks, chicago sur seine takes on early chicago house with a naive yet modern approach. reminiscent to the deep jacking imprints of the virgo four, rich in nostalgia its explores the roland juno 60 sound producing a basy and powerful drive. tokyo uno is a sensual slow motion disco tune, i: cube even brings in some melody with a balearic feel. a summer sunrise anthem

a bumpity shuffling house joint with room shaking bass, swinging beats and bleepy sound fx reminiscent of 'jackin the jazz'. slum science's remix is a bit deeper but every bit as funky. on the flip we find slum science's 'ill technique' with punchy tight beats and percussion, spaced-out stabs and fx,

six pianos is reminiscent of early detroit techno and somehow of derrick mays strings of life, it has a very unique powerfull hypnotic groove. fiestais a latin stomper with its amazing rythm and latin guitars! light the worldwill please all kerri chandler fans ! , deep chords , amazing house drums and bassline with some positive deep vocals. it was played in miami. support by: danny krivit, dj spinna, kenny dope,franck roger, dj gregory

cool 3x12inch with the hottest classic tunes on f-com…ltd!! a journey thru electro, deep house & techno !!

classic styled chicago housetrack, reminiscent of those early days in chicago…

greyscale is proud to announce the newest full-length album to the label. ignacio tardieu is the producer and >fades to grey< is the albums name. 10 outstanding tracks that delve thru different variations of dub techno that are sure to please the modern dub techno listeners and the most discerning of them. highlights include, >part 01< that even at 9+ minutes seems too short for this epic and atmospheric standout gem. >part 02< is a faster paced beauty that envelopes the listener in an airy almost orchestral cycle movements reminiscent of wolfgangs voigts gas project. but for the dancefloor! >part 05< is sure to be a standout as well! foreboding in the approach and majestic in its temperament, you wont find many deeper than this. parts 00, 03 and 08 all delve into more roots elements of dub foundations. pushing sonic boundaries while firmly respecting the lineage of the genre. lastly, part 09 might be the most experimental on the album leaving the listener excited about the future direction of ignacio tardieu. a >fades to grey< is another jewel in the greyscale discography. this release is as usual, mastered with grace by our own grad_u with visual respect and support from rima prusakova.

greyscale unveils its latest long player masterpiece! mood series regular altone, has had four eps credited to himself on the label in the past year alone. >forest land< is his first full length and its a deep journey with ten tracks of some of the strongest and most high-quality dub techno in the business. >hunt< & >ethereal night< are not for the faint of heart. these are some of the headiest and immersive tracks we have heard yet at the label. then there is >oak< & >pinecone< which hone in on and harken to a lost age of traditional dub from the mother land. enjoy being transported with >flying leaves< & >downpour< as they give off impressions of scenic landscapes from distant memories. altone then adds a good dancefloor number for those house lovers in the addictive groove >cold ground<. >pebble< is reminiscent of some of the best of intrusion with its gentle waves of chords that surround you like a warm blanket on a cold winters night. lastly, >morning dew< is a standout crescendo bringing the album to a triumphant closing is pure class. >forest land< is guaranteed to have something for everyone and to also impress the most hardened dub techno critics as well. altone is proving he is a name to keep an eye on!

brand new yagya album

migration cinema is a new moniker of the sonic practitioner and composer el’as merino. grisaille, his release for e/c, adopts a varied approach to the pattern of emergence within merinoÕs work. these seven recordings present not only electronic, but mostly instrumental trajectories, whose densities are unfolded through a huge collection of music performers. migration cinema creates a situation for the musicians in which they navigate a resonant and responsive compositional space, while the space itself is treated as a plastic medium. * grisaille suggests an unconventional view of chamber and instrumental contemporary music from a culture alien in both space and time, heard through the filter or sieve of iannis xenakisÕ architectural and physical approach to sound. alternating between opacity and translucency, monochrome and colour, grisaille conjures a spectral palette reminiscent of fredrich cerha, but with an approach to instrumental hybridisation more reminiscent of the electroacoustic worlds of ana maria avram and iancu dumitrescu. * grisaille was written, recorded, and produced by el’as merino between 2013 and 2016 in spain and england, and includes across its seven tracks more than 24 performers and a student choir. all the instrumentation has been written, scored and orchestrated through computer music methodologies such as algorithmic and generative systems. grisaille swims into hybrid spaces from acoustic reverberations captured by the artist itself at notre dame (paris, france), basilica di sant eustachio, (rome, italy), and eglise st. laurent, (marseilles, france).

favorite recordings presents this official album reissue of the parker brothers s blue-eyed-soul/modern-soul private-press album ! produced in 1981 by george p grexa and released in a private-press version on his label crown vetch enterprises, this album is filled with memorable material from the first note to the last, mixing modern-soul, boogie, cross-over jazz and rock elements, for a result reminiscent of the westcoast music golden years, however being recorded in pittsburgh.

things start off in spectacular fashion with the cute and upbeat spiritual encounter before settling into some funky and mysterious electro with bombay mix. hard copy is reminiscent of the early hi nrg vibes of bobby orlando or gino soccio but woolly hat and parallel universes are funky, fun loving 4/4 electro grooves that are more typical of the dmx sound. he saves the best for last though, with some darker excursions such as the high octane, telex sounding computational paradigm shift and the smack electro closer black poppy. with electro making an obvious comeback.

for the inaugural house masters release of 2013, we are proud to present a retrospective compilation celebrating the work of one of house musics true originals house masters charles webster! featuring 22 of his productions and remixes the compilation is almost entirely comprised of brand new reedits and remixes and previously unreleased material!

raise the curtain once more on a very special orchestral performance. how could highgrade records better celebrate its 100th release than with twelve tracks from the highgrade disharmonic orchestra? the creative combo featuring both label bosses tom clark and todd bodine, alongside philip bader, daniel dreier and dale, began over a year ago with the intention of celebrating the tenth birthday of the berlin label. and the resulting gift: a musical experiment. the five artists have bundled their creativity together into a symphony unparalleled in the techno scene. every performance is like a jam session: all five laptops are interconnected, so each of the artists has the opportunity to react to the others and modify each track as desired. thus, new arrangements are created and constantly re-interpreted. drum machines and synthesizers are also in play, to further stretch the improvisational possibilities. no wonder then, that the 100th release follows in this creative vein. the highgrade disharmonic orchestra, with multilayer, kiddnaps us away into vastly different musical worlds: from deep influences and custom recorded vocals to an array of technoid sounds and effects. then back to groovy, swinging beats reminiscent of a balmy summer evening on the beach. therefore the record is something of a rollercoaster ride, where we never know what might be waiting behind the next curve. typically highgrade

boundary-pushing, thrilling, unique: psychedelic horseshit blaze with a vitality reminiscent of fatcat alumni animal collective and black dice in those bands early, wildly creative incipience. laced marks a forward stylistic shift for the band, delivering a coherent set of bustling, hookladen, melted outsider pop songs. keeping a step ahead of the lo-fi scene they christened -shitgaze-, theyve drawn on a broad range of influences instead of the xeroxed anorexia of many of their peers, have ruffled feathers by critically speaking out, and carved out caustic, humorous social commentary.

after experimenting through different electronic dance genres and releasing material in several record labels worldwide, chris nemmo (a.k.a christos panagiotopoulos) presents his second personal album, this time creating a nu-disco/funk amalgamation. the album consists of several different aspects of the scene, employing dirty funky basslines, reminiscent vintage melodies and atmospheric vocals in an effort to simulate a warm analog perception of the disco groove and aesthetics. >the nautilus project< features 12 unreleased tracks of cosmic house, nu disco, funk and pop. once more the production quality is massive, providing great musical soundscapes beautiful for the head and feet as well as plenty of solid grooves to offer djs, and enough personality to make for a completely satisfying home listen.

introducing the raudive alias, he created a reduced, sexy, dancefloor-centered wave of greatness for labels from drumcode to cocoon. this sound turned out to be highly attractive for the djs to play and for the girls and boys to dance to. the unparalleled appeal of his beats left the usual minimal competitors sounding rather dull. thus raudive quickly became the blueprint of techno modernism and one of todays most influential genre-bending production styles. macro unleashes the highly anticipated debut album - chamber music. chamber music is both: claustrophobic in sound design, reminiscent of the dark and sweaty concrete club spaces this music inhabits, as well as carrying acoustic qualities of induced instrumental experimentalism. bitches brew voodoo reeds, new york no wave voices and european avant strings spin a mesmerizing dark patina around the ultra-sexy year-3000-rhythms. no wonder theres huge dj support all accross the board - from miss kittin to richie hawtin, surgeon to trevor jackson, ricardo villalobos to jeff mills. massive deep edge and one of 2010 finest albums so far!